Eisenstein on the audiovisual robertson robert. Eisenstein on the audiovisual : the montage of music, image and sound in cinema (eBook, 2009) [tabular-rasa.com] 2019-01-25

Eisenstein on the audiovisual robertson robert Rating: 6,4/10 919 reviews

Eisenstein On The Audiovisual

eisenstein on the audiovisual robertson robert

Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology. . Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Rhythm in cinema is audiovisual. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Publisher's Summary The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his handful of films have had on the development of cinema.

Next

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema by Robert Robertson at Abbey's Bookshop

eisenstein on the audiovisual robertson robert

Bibliography Includes bibliographical references p. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology. Lynn, A Trilogy of Summer 2010 -- 2012 -- 9. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects. The Russians: The audiovisual and the long take --14.

Next

Eisenstein on the audiovisual : the montage of music, image and sound in cinema in SearchWorks catalog

eisenstein on the audiovisual robertson robert

Digital Library Federation, December 2002. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. The essays in this collection use Eisenstein as a point of departure into divergent fields of analysis and are concerned with the principle of montage as a transforming idea. The audiovisual in three found footage films -- 11. Two Films with Little Music -- 10. It is directly related to our perception.

Next

Eisenstein on the audiovisual : the montage of music, image and sound in cinema in SearchWorks catalog

eisenstein on the audiovisual robertson robert

Audiovisual Irony, Terror, Ecstasy -- David Lean, This Happy Breed 1944 , Alfred Hitchcock, The Birds 1963 , Werner Herzog, Land of Silence and Darkness 1971 -- 4. Intertransparency and the leaping elements --15. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Less is known about his remarkable and extensive writings, which present a continent of ideas about film.

Next

the audiovisual series

eisenstein on the audiovisual robertson robert

Like the work it describes, this book is symphonic; it draws together strong influences and forces around Eisenstein into a compelling and cogent narrative - at once enjoyable, provocative. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. Essays explore the manner in which Eisenstein's later theoretical writings reveal continuity with the more well known earlier work, issues of historical revisionism, and the relationship between autobiography and the films. How do we perceive it? Audiovisual Irony, Terror, Ecstasy -- David Lean, This Happy Breed 1944 , Alfred Hitchcock, The Birds 1963 , Werner Herzog, Land of Silence and Darkness 1971 -- 4. Filmic Choreographies: A Backward Glance -- John and James Whitney, Len Lye, Norman McLaren, Busby Berkeley -- 6. Sonic Art, Digital Cinema -- Chris H. Two audiovisual collages -- 12.

Next

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema by Robert Robertson

eisenstein on the audiovisual robertson robert

Do the Eisenstein Thing -- The Audiovisual in Spike Lee's Do The Right Thing 1989 -- 2. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including entertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Robertson applies an audiovisual focus to key works by film directors such as Spike Lee, Maya Deren, David Lynch, Alfred Hitchcock, Stanley Kubrick, and Fritz Lang, as well as exploring the audiovisual in avant-garde animation, in landscape in cinema, and in films beyond the European tradition. Eisenstein on the audiovisual: the montage of music, image and sound in cinema. Less is known about his writings, which present a continent of ideas about film. Details: Master and use copy.

Next

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema by Robert Robertson at Abbey's Bookshop

eisenstein on the audiovisual robertson robert

Eisenstein on the audiovisual: the montage of music, image and sound in cinema. Double Echoes: Music and Sound in David Lynch's Lost Highway 1997 -- 3. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Rhythm is related to pattern. Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested.

Next

The Telegraph Bookshop

eisenstein on the audiovisual robertson robert

The essays were commissioned by Jean Antoine-Dunne whose research has explored the impact of Eisenstein's aesthetics on different areas of modernist literature and drama. Author by : Angela B. Please click button to get eisenstein on the audiovisual book now. Robertson applies an audiovisual focus to key works by film directors such as Spike Lee, Maya Deren, David Lynch, Alfred Hitchcock, Stanley Kubrick, and Fritz Lang, as well as exploring the audiovisual in avant-garde animation, in landscape in cinema, and in films beyond the European tradition. The audiovisual in three found footage films -- 11. Here Robert Robertson explores a significant area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before with the advent of digital technology - music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result.

Next

Eisenstein On The Audiovisual

eisenstein on the audiovisual robertson robert

This is a valuable book for those in the fields of music psychology and musicology, as well as film and media studies. The Russians: The audiovisual and the long take --14. Intertransparency and the leaping elements --15. Eisenstein explored in his writings this complex exciting subject with more depth and originality than any other practitioner. Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology.

Next

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema by Robert Robertson

eisenstein on the audiovisual robertson robert

The Audiovisual Imagination Beyond the European Tradition -- Satyajit Ray, Devi 1960 , Kaneto Shindo, Onibaba 1964 , Akira Kurosawa, Throne of Blood 1957 -- 8. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Do the Eisenstein Thing -- The Audiovisual in Spike Lee's Do The Right Thing 1989 -- 2. This illuminating book has relevance for practitioners in any work that involves the audiovisual, especially cinema and its future multiple forms. Like the work it describes, this book is symphonic; it draws together strong influences and forces around Eisenstein into a compelling and cogent narrative - at once enjoyable, provocative.

Next