In August 1915 they moved to Portugal where they shared a home with and. The interview took place Spring 1978 in Paris. Her own work during this period was strongly influenced by the art she was viewing including the art of , and and the including and. She continued expanding both Orphism ideas and color concepts until the last day of her life, contributing massively to many artists and a few different movements. Nascono così i suoi tessuti simultanei che vengono visivamente scomposti da colori puri in onde, triangoli, linee zig-zag, cerchi concentrici, rettangoli o rombi. In the year of 1890, she was adopted by the Terks and took on their surname.
Dominio incontrastato di Sonia rimase però l'arte dell'arazzo e del tessuto, che essa rinnovò profondamente sostituendo alle decorazioni tradizionali dei motivi geometrici di sorprendente intensità cromatica, tipici della sua pittura. Delaunay's meticulously embroidered and appliquéd coats brought commissions from the wives of fashion designers, artists, and architects, and from film and theater actresses including , who brought the Atelier much publicity. Sonia Delaunay gave a lecture at the on the influence of painting on fashion. Fine and rare copy of this strange publication. Sonia Delaunay, mode et tissus imprimés. Each lot is sold with all the faults and imperfections set out in the description and the auction house declines any responsibility, both for itself and for the seller, for authenticity, age, origin, condition and quality.
Sonia Terk was born 14 November 1885 into a poor Jewish family in the Ukrainian village of Gradizhsk and adopted by her well-to-do aunt and uncle in at an early age. In each case, value-added tax amounting to 8% shall be payable on the buyer's premium. London: Thames and Hudson, 1998, pp. Map with tipped-in color and black and white illustrations on handmade paper. Delaunay's success with fashion lay partly in the adoption of the liberating, contemporary silhouette for female clothing that developed during. Payment by cheque shall only be deemed to have been made when the payment has been credited to the auction house's bank account.
Sonia designed costumes for his production of Cleopatra stage design by and for the performance of in Barcelona. Nel 1922 fonda l' Atelier Simultané , laboratorio di moda, grafica e decorazione d'interni. While she turned away from fashion design after this point, she continued to take private orders from the couturiers Chanel, Lanvin, and especially Jacques Heim. Sonia's first large-scale painting in this style was Bal Bullier 1912—13 , a painting known for both its use of colour and movement. Sullo sfondo il design B53 di Sonia Delaunay, Francia 1924 collezione privata Già orientata verso una pittura di puro colore, Sonia affiancò il marito nelle ricerche sul colore e sulla rifrazione della luce, in cui l'effetto dinamico è espresso dalle sole modulazioni del colore e della luce che conferiscono all'opera un tono lirico, approdando al movimento chiamato o cubismo orfico; termine che deriva da , mitico musico della mitologia greca. She studied art periodically in Karlsruhe, Germany, and continued her studies at the Académie de la Palette in Paris, where the intense color palette of artists of the fauvist movement influenced her early development as a painter.
About this Item: Napoli, il centro, 1980. Paris, Art Curial, Sonia Delaunay, 1981. Telephone bidders, only a limited number of which are permitted at the discretion of the auction house, shall also notify the auction house of all details in writing personal particulars, accessibility by telephone, numbers of interest, etc. The Autobiography of Alice B. In the initial years of her marriage, she integrated the realms of home and art by fashioning her apartment in the simultaneous style, creating blankets, cushion covers, lampshades, goblets, and curtains. These terms and conditions are part of each individual bid and the contract of sale concluded by the auction house. Questo Blog è una pagina web personale e senza fini di lucro.
If payment is not made or is not made on time, the auctioneer may either demand the fulfilment of the contract of sale or cancel the winning bid at any time without setting a further deadline. By the end of 1934 Sonia was working on designs for the 1937 , for which she and Robert worked together on decorating two pavilions: the Pavillon des Chemins de Fer and the Palais de l'Air. Sonia returned to Paris briefly to make arrangements for their absence. This exposure earned her interior-decorating commissions from wealthy patrons and the Petit Casino theater opened 1919. Organized in association with Centro Italiano per le Arti e la Cultura, Rome, and Fondazione Bevilacqua La Masa, Venice. Non sono inoltre responsabile dei siti collegati tramite link né del loro contenuto che può essere soggetto a variazioni nel tempo.
For successful internet live bidders there is an additional fee of 3%. The caused a decline in business. Financial pressures during the , coupled with the 1930s trend toward fabric manipulation and construction details that did not accommodate her designs, led Delaunay to close her couture house in 1931. An extensive collection of the artist's fashion illustrations and textile designs of the 1920s. At the 1925 Exposition des Arts Décoratifs, Delaunay collaborated with the furrier Jacques Heim in displaying female fashion, accessories, and interior furnishing in her Boutique Simultané. Parure orecchini a monachella e anello regolabile con fantasia geometrica nelle tonalità del giallo, verde acido e grigio - Sullo sfondo Tissu simultané n. She took abstract concepts and extended its visuals to an exploration of limitations and potentials, testing it with a range of fields beyond painting.
For the 1923 staging of play she designed the set and costumes. In 1975 Sonia was named an officer of the. The auction house insists that all bidders use a number instead of their name when bidding. Library Orders Accepted, but Availability and Price Cannot be Guaranteed. He was a jazz critic, organizer of jazz concerts and a founder of the the first jazz club in France and the first editor of Jazz Hot Magazine, the club's official publication. Sonia Delaunay wearing Casa Sonia creations, Madrid, c. I primi abiti simultanei, realizzati nel 1913, appaiono perfetti per catturare l'energia dei nuovi balli, dal foxtrot al tango, che impazzano nei locali della Ville Lumière.
Despite such circumstances, she moved to St. The caused a decline in business. Damase, Sonia Delaunay, Rhythms and Colours, Greenwich, 1972, p. L'artiste, qui réalisa notamment des projets pour des tissus industriels et des costumes, s'est intéressée aux aspects à la fois théoriques et pratiques des rapports entre l'art et la mode. The stylish, unadorned tunic cuts of the mid-1920s, with straight necklines, no waistlines, and few structural details, served as a blank, two-dimensional canvas for her geometric forms. After closing her business, Sonia Delaunay returned to painting, but she still designed for Jacques Heim, , Perrier and private clients. Un fonds de 174 gouaches sur papier a donné vie au projet d'atelier simultané réalisé par Sonia Delaunay dans l'entre-deux-guerres et caractérisé par la modernité du langage des couleurs.
A quel punto le è chiaro che la ricerca sulla decostruzione geometrica della forma e la sua ricomposizione per campiture di colore, può essere portata avanti attraverso le arti applicate, moda compresa. Payment and collection shall be effected within seven days at the buyer's risk. Sonia Delaunay made clothes for private clients and friends, and in 1923 created fifty fabric designs using geometrical shapes and bold colours, commissioned by a manufacturer from. The book, which was sold almost entirely by subscription, created a stir amongst Paris critics. Little is known about their union, but it is assumed to have been a marriage of convenience to escape the demands of her parents, who disliked her artistic career, for her to return to Russia. Sonia however did not want to be part of the contract for the commission, but chose to help Robert if she wanted. Sous l'attentive observation critique de Robert Delaunay, le travail de Sonia sur la variété des trames de forme-couleur s'inscrit idéalement dans la recherche abstraite d'inspiration fauve.